Orientações topo da entertainment
Orientações topo da entertainment
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The city’s original opera house is smaller than its Bastille counterpart, but has perfect acoustics. Due to its odd shape, some seats have limited or no…
Parades are held for a range of purposes, often more than one. Whether their mood is sombre or festive, being public events that are designed to attract attention and activities that necessarily divert normal traffic, parades have a clear entertainment value to their audiences. Cavalcades and the modern variant, the motorcade, are examples of public processions.
The power of stories to entertain is evident in one of the most famous ones – Scheherazade – a story in the Persian professional storytelling tradition, of a woman who saves her own life by telling stories.[94][95][96] The connections between the different types of entertainment are shown by the way that stories like this inspire a retelling in another medium, such as music, film or games.
The "fire, sudden noise and smoke" of fireworks is still a significant part of public celebration and entertainment. For example, fireworks were one of the primary forms of display chosen to celebrate the turn of the millennium around the world. As the clock struck midnight and 1999 became 2000, firework displays and open-air parties greeted the New Year as the time zones changed over to the next century.
On the banks of Canal St-Martin in a former fire station and later squat, this arts and music venue attracts an underground crowd for concerts, dance…
Classic jazz concerts kick off at 9pm in the atmospheric downstairs cellar of this sophisticated jazz venue across from the Jardin du Luxembourg…
Even if a parade uses new technology and is some distance away, it is likely to have a strong appeal, draw the attention of onlookers and entertain them. Parades across cultures
Dances can be performed solo, in pairs, in groups, or by massed performers. They might be improvised or highly choreographed; spontaneous for personal entertainment (such as when children begin dancing for themselves); a private audience, a paying audience, a world audience, or an audience interested in a particular dance genre. They might be a part of a celebration, such as a wedding or New Year, or a cultural ritual with a specific purpose, such as a dance by warriors like a haka.
Live performances before an audience constitute a major form of entertainment, 九游娱乐官网 especially before the invention of audio and video recording. Performance takes a wide range of forms, including theatre, music and drama. In the 16th and 17th centuries, European royal courts presented masques that were complex theatrical entertainments involving dancing, singing and acting.
By the second half of the 20th century, developments in electronic media made possible the delivery of entertainment products to mass audiences across the globe. The technology enabled people to see, hear and participate in all the familiar forms – stories, theatre, music, dance – wherever they live.
Josh Hartnett is looking back at shedding his Hollywood heartthrob image in the 2000s as he stars in M. Night Shyamalan’s thriller “Trap.” Hartnett is now 46 and lives in England with his wife and four children. While he’s been working steadily since breaking out in 1998 with a “Halloween” sequel and “The Faculty,” he intentionally moved away from studio movies and leading man roles after being typecast as his fame grew with movies like “Black Hawk Down” and “Pearl Harbor.
Both stories and information have been passed on through the tradition of orality and oral traditions survive in the form of performance poetry for example. However, they have drastically declined. "Once literacy had arrived in strength, there was pelo return to the oral prerogative."[77] The advent of printing, the reduction in costs of books and an increasing literacy all served to enhance the mass appeal of reading. Furthermore, as fonts were standardised and texts became clearer, "reading ceased being a painful process of decipherment and became an act of pure pleasure".[78] By the 16th century in Europe, the appeal of reading for entertainment was well established.
However, all performers run the risk of failing to hold their audience's attention and thus, failing to entertain. Audience dissatisfaction is often brutally honest and direct.
While technology increases demand for entertainment products and offers increased speed of delivery, the forms that make up the content are in themselves, relatively stable. Storytelling, music, theatre, dance and games are recognisably the same as in earlier centuries.